King Fool and Night Walk this Friday!

We Players invites our community to join us in a Night Walk through the Mission in advance of our final San Francisco showing of King Fool, this Friday.
(Our 9/26 event – including performance, conversation and festive closing reception, will begin at 8pm, in a private warehouse just south of Mission Bay. The address will be revealed upon placing your reservation)

One of the things that has come up in our post-performance conversations is the truth that we cannot know when we will die.

Many of us hope that we will be blessed with a full life and well cared for by those we most love as we age and approach death. In our adaptation, Lear is blessed in this way, and yet his story is still heartbreaking.

It is a far greater tragedy for young people to die from violent crime.

The faith communities in the Mission – with whom we shared our opening performance of King Fool, have been making a positive impact in their neighborhood by being present and peaceful.

Our creative team is inspired to connect the timeless themes of death and relationship with current realities and join these communities for this Friday’s Night Walk.

We welcome your participation.

More info below.

*
For over a year now, several faith communities have been regularly walking some of the more violent streets of the Mission with a simple three-fold message:

  •  We care
  •  Stop the violence
  •  What do you need?

At this next Nightwalk we will also celebrate the re-emergence of an important street-intervention organization in our neighborhood. This organization, called CALLES (meaning “Streets”), has been one of the Mission’s most effective organizations reaching high-risk youth. It has been dormant for the last few years, but makes its comeback as part of our next Nightwalk.

When: Friday, September 26, 6-7:30pm

Where: Starting with a short ceremony at Instituto Familiar De La Raza (IFR) // 2919 Mission St, SF, CA 94110 and walking to Centro del Pueblo // 474 Valencia St

Getting the Conversation Started: Ava on General Auditions

We’re getting quite excited for We Players annual general auditions, coming up this Saturday and Sunday night! John Hadden, my close collaborator and co-director for 2014 projects, is flying in from the east coast today. We have over 50 new actors planning to attend the upcoming sessions. And thanks to the wonderful folks at the Circus Center of San Francisco, we have a spacious, high-ceilinged room to stretch out and play in. All the ingredients are ripe. We Players’ auditions take place as an immersive 3 hour workshop. The actor/ director relationship is fundamentally a collaboration. So it seems to me that the best way to begin this conversation is through working together. Really working. It’s hard to learn all that much about an actor through their presentation of a 2 minute monologue. Perhaps how well they audition. But I don’t learn much about the more important stuff…how they work, how they play with others. Are they generous with their fellow performers? Do they breathe? Do they make eye contact? Or do they speak to the wall beyond my head? Do they take risks? What are their impulses like? Are they showing me their stuff, or able to release into the reality of the moment? And the actors should have a chance to sense the vibe of the company, of working with me. Is it a fit? It’s a conversation between us, not one-sided. Or at least, that’s a primary goal of a healthy actor/ director relationship I think. So committing to even just a few hours together allows us the opportunity to learn something about each other’s work and process. We get warmed up, we begin a conversation. Where will it take us? And if it really works, then everyone leaves feeling lit up, activated, and like their time has been well spent – they’ve made a discovery of some kind, large or small. Perhaps they forgot they were even at an ‘audition’, and are stimulated by the good work of playing.

We’ll see… Off we go!

Click here for more information about these upcoming 2014 General Auditions. Or email us at we@weplayers.org.

Audition for We 2014

Auditions

Be sure to familiarize yourself with our artistic practice before responding. Our site-integrated work is very unique and unlike traditional theatre experiences. Projects take place in a wide range of Bay Area settings, usually outdoors and in direct relationship with the elements. Our work is for the hardy of spirit and body, it is intense and immersive.

All auditions with We Players are extended workshop format, which allows us the opportunity to learn something about each other’s work and process. More information about our 2014 projects will be announced to our mailing list early in January.

ACTORS
Announcing 2014 Company Generals!

DATES
Saturday January 11 & Sunday January 12, 7-10pm  
(please arrive between 6:30 (no earlier) and 6:50pm, work begins promptly at 7pm)

LOCATION
SF Circus Center: 755 Frederick St., San Francisco

REQUIRED
Send resume and headshot to we@weplayers.org. Please include a brief personal statement and note why you are interested in working with We Players and/or engaging in site-integrated performance. Prepare a 1-2 minute classical monologue.  Bring a hard copy of your resume and photo. Indicate special skills: physical theater, dance, acrobatics, clown, music/singing/instruments, etc. 

PLEASE NOTE
You may not called for the whole time, however, please budget the full three hours. This audition will be workshop format. Be prepared for both physical and vocal group work. Wear comfortable clothes you can move in.

CALLBACKS for specific 2014 projects will be held Friday-Sunday, January 17-19, 2014

* We Players produce primarily classical work, so some experience or significant interest in Shakespeare and/or Greek mythology is a plus.

DANCERS
Information specific to dancers/ movers will be shared at the audition. Basic schedule outline for rehearsal and performance extends from mid-July 2014 through September 2014. 

AUDITION DATES
Saturday, January 25, 1-4pm

*call backs will be Sunday, January 26, 1:30-4:30pm – details will be provided to those selected

LOCATION
Sutro Baths, SF.  
Meet on the east side of the new Land’s End Visitors Center and look for a red We Players flag.

REQUIRED
Send resume and headshot to we@weplayers.org. Please include a brief personal statement and note why you are interested in working with We Players and/or engaging in site-integrated performance. Indicate any special skills: physical theater, types of dance training, swimming, yoga, qi gong, naturalist training, acrobatics, clown, music/singing/instruments, etc.

PLEASE NOTE
You may not called for the whole time, however, please plan to attend the full three hours. Please also hold your schedule open for Sunday, 1/26, 1:30-4:30pm. This movement audition will be workshop format. Wear comfortable clothes and close-toed shoes in which you can move freely. Please dress for the weather! We recommend layers, hats, gloves and windbreakers.

Production Staff Interviews for We 2014

If you like how We Players transforms public space, builds community, and engages timeless themes and current social issues, one of the most fulfilling ways to deepen this practice and expand your own awareness is to get involved!

Design

WE are looking to expand our community of qualified production staff including: Costume Designers (preference for applicants w/ apparel design & garment making experience); Lighting Designers; Production Managers; Stage Managers; Properties Masters; Carpenters; and Go-get-em all-purpose production team members! We are hosting two days of production staff “speed-dating” as an opportunity for company directors to meet with a wide range of skilled and experienced theatre designers and technicians. Sessions are 20 minutes each, scheduled on the half hour. By appointment only.

DATES & LOCATIONS: 

Wednesday 1/8/14 12-3pm, East Bay location near Bart (TBA)

This “speed dating” is akin to an informational interview. Extended interviews with candidates for 2014 projects will be scheduled by invitation.

REQUIRED:  Send resume to we@weplayers.org. Please include a brief personal statement and note why you are interested in working with We Players and/or engaging in site-specific performance.  Please list all your available times in order of preference and we will do our best to accommodate. Please explore our website and familiarize yourself with our artistic practice before responding. Our site-integrated work is very unique and unlike traditional theatre experiences. Projects take place in a wide range of Bay Area settings, usually outdoors and in direct relationship with the elements. Our work is for the hardy of spirit and body, it is intense and immersive.

Alma Rehearsal

Monday rehearsal at Hyde Street Pier – in the wind, and the sun, on a boat, in the rigging, rolling on the decks, climbing ratlines, singing into the wind, rigging sails, you know – the usual rehearsal stuff!

Of the wine-dark sea

sailingava

Well, I’m just back from a 2200 nautical mile passage – through the Panama Canal and up the Pacific coast to Cabo San Lucas in Baja.

While at sea, I read several versions of the Odyssey on the foredeck of sailing vessel Kailani.

I love the ancient roots of this material, the epic scope and universal story of the Heroes journey. In some way, each day we go through a version of this journey – we rise to greet the challenges and unexpected adventures of the day, we return ‘home’ – the same person and yet in some way changed, renewed or transformed – even if only a subtle shift, we learn or forget something each day.

We’re beginning the process slowly, steadily, gradually – with a book club of just a few actors to read to each other and discuss the text. And to explore how the stories of the Odyssey relate to our own experiences. Gradually developing an understanding of the Hero and perhaps coming to personal definitions quite different from the concept of the ancient hero, who goes to battle for the spoils of war and for the “glory” and “honor” of it. My conception of a hero is something much more quiet – something like my father, sensitive and smart, patient and steady, deep in himself and knows how to savor the small things.

At sea, I savor the details of the environment. The play of sunlight and moonlight on the surface of the ocean. Infinitely various patterns of light. Flecks of green phosphorescence spraying and fizzling in our wake. The big dipper perfectly vertical off the starboard bow, dipping straight into the bowl of the ocean for a great scoop of liquid night.

Source work in the wine-dark sea…

Delicious autumn!

 

Is not this a true autumn day? Just the still melancholy that I love — that makes life and nature harmonize. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one’s very footsteps may not disturb the repose of earth and air, while they give us a scent that is a pefect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns.

George Eliot, letter to Miss Lewis, 1st October 1841