King Fool and Night Walk this Friday!

We Players invites our community to join us in a Night Walk through the Mission in advance of our final San Francisco showing of King Fool, this Friday.
(Our 9/26 event – including performance, conversation and festive closing reception, will begin at 8pm, in a private warehouse just south of Mission Bay. The address will be revealed upon placing your reservation)

One of the things that has come up in our post-performance conversations is the truth that we cannot know when we will die.

Many of us hope that we will be blessed with a full life and well cared for by those we most love as we age and approach death. In our adaptation, Lear is blessed in this way, and yet his story is still heartbreaking.

It is a far greater tragedy for young people to die from violent crime.

The faith communities in the Mission – with whom we shared our opening performance of King Fool, have been making a positive impact in their neighborhood by being present and peaceful.

Our creative team is inspired to connect the timeless themes of death and relationship with current realities and join these communities for this Friday’s Night Walk.

We welcome your participation.

More info below.

For over a year now, several faith communities have been regularly walking some of the more violent streets of the Mission with a simple three-fold message:

  •  We care
  •  Stop the violence
  •  What do you need?

At this next Nightwalk we will also celebrate the re-emergence of an important street-intervention organization in our neighborhood. This organization, called CALLES (meaning “Streets”), has been one of the Mission’s most effective organizations reaching high-risk youth. It has been dormant for the last few years, but makes its comeback as part of our next Nightwalk.

When: Friday, September 26, 6-7:30pm

Where: Starting with a short ceremony at Instituto Familiar De La Raza (IFR) // 2919 Mission St, SF, CA 94110 and walking to Centro del Pueblo // 474 Valencia St

Gold from King Fool post-performance conversations

Our King Fool project is an experiment on many levels.

I’ve been kicking off our post-performance conversations with a brief summary of We Players’ mission: connecting people with place through site-integrated theatre and using our art to provoke thought and stimulate conversation on the shared themes of play and place.

We are sharing King Fool in a variety of locations, which does two things:

1) stretches our site-integrated practice to make the piece seem to emerge from and be at home in the place, without a lot of scouting and on-site rehearsal time; and

2) reinforces that the core theme of death, and supporting one another as we approach death, is not unique to any one place.


Our post-performance conversations have largely flowed without much effort on my part as a facilitator. Ava and John’s acting, the narrative of father-child relationship and Shakespeare’s rich language plucks at our heartstrings. Nature, in her constantly shifting vibrancy, holds us in the present moment. A respondent shares what struck them in witnessing the piece, and offers some insight garnered through encountering death and loss in their daily work. There are so many directions to go!

We’re halfway through the run and I’m looking forward to attending all the remaining performances! No live theatre event is ever the same. Performing outdoors, We Players really embraces and celebrates that truth in all of our work… but since the audience is different each time ‘round, our conversations take the concept of experiencing something “fresh and new” to another level.

I’m heartened that our mission appears to be working. Most people are yearning to talk about death and loss, and theatre is forging the container for an informative and inspiring conversation between folks from very different backgrounds. Below are short summary bios for two of our respondents, demonstrating the very different directions our discussion might take.

Join us for one of the remaining King Fool performance and add your voice!

Friday, September 19 – Cara Rose DeFabio

Cara Rose DeFabio lives in San Francisco and makes experimental performance that examines how technology mediates human experience. Her solo work After the Tone examines how digital debris has transformed the mourning process and how the technological capacity for memory may be shaping our ability to forget. Weaving together newspaper headlines, tweets, forgotten choreography and audience contributions via their cell phones, the show uses multiple platforms to weave together the story of our new digital afterlife. Her latest work, DARKNET explores the deep web, anonymity online, the expectation of privacy and how we behave when we think no one is watching.

Sunday, September 28 – Lois Williams

I am a hospice chaplain in the East Bay. I am also an Episcopal priest, and have at times been considered to be a little mystic. I work with both dying patients and their family or friends helping them come to terms with their terminal illness. I do this from a background of psychology, philosophy and theology. I will assess their spiritual needs, and journey with them as someone who holds hope in a future – whatever that looks like, while allowing them to find and share their own meaning of life with their family and/or myself.

I respect everyone’s faith tradition, or spiritual concepts; we are too complex, and the universe is too amazing for there to be only one way to be. My God is a loving one who does not reject anyone, and I desire to walk in love as Jesus did, as Buddha did, as Martin Luther King has, along with many others, and I do this one conversation at a time.

Herman’s House Screening

Thanks to all who joined We Players on Alcatraz Island on May 19, 2013, to view and discuss this new documentary film about the relationship between a prisoner and an artist, and the dream home of a man who has spent 40 years in solitary.

Learn about current realities and consider getting involved with the issue of solitary confinement in California prisons –

Herman’s House Screening on Alcatraz

Join We Players to view and discuss this new documentary film about the relationship between a prisoner and an artist, and the dream home of a man who has spent 40 years in solitary.

Sunday, May 19 – Alcatraz Island, 5:30-10pm

Screening, panel discussion with director Angad Singh Bhalla (a past player with WE!) and other special guests, walking tour, and viewing of a current art exhibit in the New Industries Building.

For more information on the film, visit



Panel Discussion: Restorative Justice & Victim Awareness

Moderated by: Patrick Gillespie
Panelists: Reggie Daniels, Rose Elizondo, Richard Kamler and Sonya Shah

“Process Orientation of the Creative Arts and Healing; Product Orientation of our Current Prison System”

A panel of Restorative Justice practitioners, artists, and performers discussed the theories and methods of Restorative Justice and Victim Awareness. The discussion explored how the creative arts intersect with these practices to facilitate healing and transformation, and raises awareness for both the general public and the prison population. In addition, the panel explored the differences and overlap of Social Justice and artistic practices.

Biographies for 4/9 Panel Discussion

We Players is honored to facilitate discussion on the transformation of identity, restorative justice, and the methodology of state produced inmate portraiture are the primary themes for the exhibition on Alcatraz this Saturday.  Bios for our participating artists and practitioners of interpretation and restorative justice are below.  We extend our thanks for their talent and dedication to justice and forgiveness.

Reservations are filled for our exhibition opening event this Saturday, but our experience with offering free reservations is that there is usually space for at least a hand full of wait list admissions.  If you’d really like to join us and haven’t yet made your reservation, just arrive at Pier 33 between 12:30-12:45, follow the We Players signs to our reservations table, and add your name to the waiting list.

Sujatha Baliga

Sujatha’s work is characterized by an equal dedication to victims and persons accused of crime.  Sujatha earned her A.B. from Harvard and Radcliffe Colleges and her J.D. from the University of Pennsylvania.  She has held federal clerkships with the Honorable William K. Sessions, III, Chair of the U.S. Sentencing Commission and with the Honorable Martha Vázquez. Sujatha has served as a consultant to the Stanford Criminal Justice Center, and taught Restorative Justice at New College School of Law and at the California Institute for Integral Studies. In 2008, Sujatha was awarded a Soros Justice Fellowship, which she used to spearhead a successful restorative juvenile diversion program in Alameda County.

She is the Director of Community Works’ newest initiative, Community Justice Works, where she continues to implement and expand the restorative juvenile diversion program she began through her Soros Fellowship.  Sujatha is also the Founder and Executive Director of The Paragate Project, an organization dedicated to exploring forgiveness. An emerging national voice in restorative justice, she was recently honored as Northeastern University Law School’s Daynard Fellow.  Sujatha’s personal and research interests include victims’ voices in restorative practices, the forgiveness of seemingly unforgivable acts, and Tibetan notions of justice.

Evan Bissell

Evan Bissell is a Bay Area artist and educator whose work is a project-based practice of creating structures of collaborative dialogue and expressions of personal and community truths. Working with groups of people, Bissell facilitates educational, auto-ethnographic and contemplative processes of interviews, research, listening, writing and art-making.  In the last five years he has created and publicly installed over 50 original paintings and murals with Bay Area residents on themes ranging from love, to education to incarceration.  He has had solo exhibitions at SOMArts Cultural Center, Intersection for the Arts and Marcus Books, and created the original set for the play Mirrors in Every Corner. Evan currently teaches art at El Cerrito High School in the Teen Alive program – combining art with critical group discussion on masculinity and violence.

Jim Breeden

Jim Breeden has been an Interpreter on Alcatraz for nearly three years. He has done groundbreaking research in what is described as Alcatraz’s first escape attempt, recasting the event in an entirely different light. He is currently preparing for a future display on Alcatraz, which involves comparing Alcatraz to modern American prisons and illuminating alternative approaches to incarceration such as restorative justice.

Monica Lundy

Born in Portland, Oregon in 1974, Monica Lundy spent her childhood between Oregon, California and Dhahran, Saudi Arabia. She received a BFA from The School of the Art Institute of Chicago in 1996. In 2001 she moved to Florence, Italy, where she studied painting independently under the mentorship of Jules Maidoff, founder of Studio Art Centers International.  Monica received a MFA from Mills College in 2010 and was also a recipient of the 2010 Jay DeFeo Award in painting and sculpture.  She currently lives and works in Oakland, California.